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Few film events excite the sartorially inclined for reasons solely of style and clothing. But when they do… Bammo!
Baz Luhrmann‘s The Great Gatsby Starring Leonardo DiCaprio
The buzz about Baz Luhrmann‘s 3D film adaptation of F. Scott Fitzgerald‘s The Great Gatsby has been steadily growing among the dandy set since the project was announced and is expected to only grow until it’s release. Starring as the titular Gatsby is Leonardo DiCaprio, along side Carey Mulligan, Isla Fisher and Tobey Maguire among others.
American Dandy, Author and Poster Boy for the Lost Generation – F. Scott Fitzgerald
Fitzgerald’s story is many things, and in Luhrmann’s lush, ocular hands, is expected to be the style experience of the season. The few photos from the production that have been released teasingly promise a treasure trove of well dressed gentlemen in fine dandy style.
Leonardo DiCaprio as Jay Gatsby Looking Sharp as He Walks Past a Duesenberg
There is also a full length trailer that is even more alluring, much like the stories of Fitzgerald himself.
And keep in mind you’ll be able to experience all this gentlemen dress and style in 3D. I’m off to mix a batch of mint juleps in anticipation! I suspect the only thing that could make this movie even more amazing would be a surprise cameo by Ryan Gosling…
Ryan Gosling as Imagined in a Surprise Cameo in The Great Gatsby
Related articles
- Watch: ‘The Great Gatsby’, 1926 (theparisreview.org)
- Baz Luhrmann crazied up ‘The Great Gatsby’ (popbytes.com)
- Baz Luhrmann’s Glittery ‘Great Gatsby’ (theatlanticwire.com)
- The Great Gatsby trailer shows Baz Luhrmann putting 3D to good use (guardian.co.uk)
- ‘The Great Gatsby’ Trailer: Baz Luhrmann Tackles a Literary Classic (screenrant.com)
- Leonardo DiCaprio: ‘Great Gatsby’ Trailer & Poster Released! (justjared.com)
Pingback: F. Scott Fitzgerald… « fearthelioninme
Di Caprio certainly did not shine but he may not have the charisma required. I liked Mulligan’s portrayal – she caught the conflicts and weakness rather nicely I felt.. Nick’s position is of course ambiguous anyway and feels like an awkward narrative device. I guess the asylum ploy is a nod back to the 50s genre rather than 20s but is perhaps a ‘retro orientation.’ I have not read the book so cannot comment on its ‘unfilmable nature’, but that may be more to do with what is essentially on this showing a thin plot line presumably bolstered out, by all accounts, by some wonderful writing.